January 2: Staying with the Trouble

By Donna Haraway

The book and the idea of “staying with the trouble” are especially impatient with two responses that I hear all too frequently to the horrors of the Anthropocene and the Capitalocene. The first is easy to describe and, I think, dismiss, namely, a comic faith in techno fixes, whether secular or religious: technology will somehow come to the rescue of its naughty but very clever children, or what amounts to the same thing, God will come to the rescue of his disobedient but ever hopeful children. In the face of such touching silliness about technofixes (or techno-apocalypses), sometimes it is hard to remember that it remains important to embrace situated technical projects and their people. They are not the enemy; they can do many important things for staying with the trouble and for making generative oddkin.

The second response, harder to dismiss, is probably even more destructive: namely, a position that the game is over, it’s too late, there’s no sense trying to make anything better, or at least no sense having any active trust in each other in working and playing for a resurgent world. Some scientists I know express this kind of bitter cynicism, even as they actually work very hard to make a positive difference for both people and other critters. Some people who describe themselves as critical cultural theorists or political progressives express these ideas too. I think the odd coupling of actually working and playing for multispecies flourishing with tenacious energy and skill, while expressing an explicit “game over” attitude that can and does discourage others, including students, is facilitated by various kinds of futurisms. One kind seems to imagine that only if things work do they matter—or, worse, only if what I and my fellow experts do works to fix things does anything matter. More generously, sometimes scientists and others who think, read, study, agitate, and care know too much, and it is too heavy. Or, at least we think we know enough to reach the conclusion that life on earth that includes human people in any tolerable way really is over, that the apocalypse really is nigh.

That attitude makes a great deal of sense in the midst of the earth’s sixth great extinction event and in the midst of engulfing wars, extractions, and immiserations of billions of people and other critters for something called “profit” or “power”—or, for that matter, called “God.” A game-over attitude imposes itself in the gale-force winds of feeling, not just knowing, that human numbers are almost certain to reach more than 11 billion people by 2100. This figure represents a 9-billion-person increase over 150 years from 1950 to 2100, with vastly unequal consequences for the poor and the rich—not to mention vastly unequal burdens imposed on the earth by the rich compared to the poor—and even worse consequences for nonhumans almost everywhere. There are many examples of dire realities; the Great Accelerations of the post-World War II era gouge their marks in the earth’s rocks, waters, airs, and critters. There is a fine line between acknowledging the extent and seriousness of the troubles and succumbing to abstract futurism and its affects of sublime despair and its politics of sublime indifference.

This book argues and tries to perform that, eschewing futurism, staying with the trouble is both more serious and more lively. Staying with the trouble requires making oddkin; that is, we require each other in unexpected collaborations and combinations, in hot compost piles. We become-with each other or not at all. That kind of material semiotics is always situated, someplace and not noplace, entangled and worldly. Alone, in our separate kinds of expertise and experience, we know both too much and too little, and so we succumb to despair or to hope, and neither is a sustainable attitude. Neither despair nor hope is tuned to the senses, to mindful matter, to material semiotics, to mortal earthlings in thick copresence.


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January 16: The Gift of Strawberries

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December 12: The Call of Compost